Twelve: Harmony is at the Skatepark

Where attention goes, energy flows. We manifest that which is watered with our intention. What we resist we also manifest. Words knit thoughts into ideas. Woven with the needle of attachment into the fabric of our being they become heavy—a wet blanket. A shroud of ideals. The River of Attention flows on a trajectory to the Sea of Consciousness. Merge. Diffuse. Dilute. Resisting the growing pains of change is like holding back the rapids. Drown in the spaces between its inevitability or emerge in its growth. Death or discomfort.

The hundreds of golden dragonflies—wisdom, adaptability, spirituality—flutter as the scarf takes flight around my neck following me through my e-cycle portal to the next moment on my passage. The supreme Matrimandir. Millions of gold-plated steel mosaics mirror the dragonfly print scanning down and around like intergalactic radar discs. Spiral walkways lure me inwards and upwards. The monochrome chamber of crystal gazing … the nucleus … the midpoint. Sterile womb. Concentrating, I find my fulcrum as cobalt blue emanates from somewhere behind my eyes. Lights flicker, flash, fairy dust. The giant orb ingests and projects everyone shrunken upside down. And I wonder if we are inside or outside or which way is ‘This way up ⬆️’

Over the noise of the new age mantra, ‘let it go’, I begin to chant my own mantra ‘let it stay’. I welcome in my curiosity to mediate. “What do you have to say?” it invites.

Daughter to a narcissistic woman, wife to a narcissistic man, I have learned that, like the dragonfly that is now frozen on my window in its process of transition to its next incarnation, death is also growth. Transition and Transformation share space on the same sign; their arrows unwittingly point to a severed car planted vertically in the road. Intentional art. Unintentional irony.

I welcome in my hyper vigilance. I welcome in my anxiety. I welcome in the surges of adrenalin that remind and compel me to keep moving forward; to keep extending … to keep widening the gap so I can pass through. “Not yet fully dilated”, the midwife announces.

Some sickness is severe enough to require complete severance before it is healed. Sometimes that is just time. The waiting room. Pacing. Away is sometimes the only way. Engaging with new and foreign landscapes and humanscapes changes my dialogue, reprograms my cells. Time amputates the limbs of fear. Life is not an exercise of endurance; it is a practice of observation. So too is travel. Too often I clench around my resilience, believing strength to be more valuable a quality than flexibility. My six-pack bust open through pregnancy; a forever reminder—resourcing is not a swear word.

Birthed into motherhood, I fell on my sword of conventionality, rejected nuclear family dynamics and—inadvertently at first—began the excavations that would clear the ground to live our best lives. Somatic architecture. Literal excavating, to create the sanctuary I created for my son’s nurturing, precipitated the more extreme excavating I do on every layer of my own being. Breaking down walls, digging holes, unearthing Moonshine, recovering skulls and broken ceramics, sinking metal rods like roots to strengthen the ground and support the milk wood forest garden. To support me too. And, in tandem, before the abode went up, the most foundational work of retaining and levelling land, constructing a treehouse, installing a trampoline and climbing wall, and suspending swings, ropes and nets from the trees … because constructing harmony is both up and down, in and out, side to side and a spiral dynamic that never ends.

Most importantly I welcome in my joy. I welcome in my gratitude. I welcome in the abundance and ever-present reminder that the entire cosmos rides on a pinhead dropped on the map of this very moment. The best lessons in life I learned not through the ease of fitting in but through adaptation and recalibration to my own brand of exceptional.

Choosing my child was expansive. Choosing mothering meant breaking down the constructs that prevented this expansion. Choosing isn’t easy. Not choosing, less so. Previously I would travel to knock down the walls within and a few without. Now I use some doors already opened. I love adventure; I love experience and excitement; I love pushing into the edge of my ache. It’s a superpower.

Forehead to trunk, I wonder if hug is the same in tree language as I wrap my arms around a fraction of its girth to ground my spirit at the epicentre of Auroville; to offer my mantra of welcoming. A leaf falls like a spear to the ground. Unattached. The banyan tree stoically reaches downwards and outwards, creating surface area, shade and stability as it dangles roots from high above the ground knowing that with time and nourishment those roots will find their ground and will, at an imperceptible pace, first touch the earth and then, with threadlike fingers, take hold of it. Penetrate it. Leafing through the pages of the Kama Sutra.

Like the banyan branches, I too have stretched a long way … opened—not always willingly—and allowed my leaves to fall. I have travelled the spiralling dot-to-dot highways of leaving to arrive to leave again … to not know when the next life cycle will come. I have suspended roots waiting to find ground, tentative, not gripping … not yet knowing … retracted. I can’t live comfortably in the world I created to become the person I needed to be for the small human to whom I committed eighteen years of my life … many in conflict, many is flight, mostly in overwhelm. This is the root of my dis-ease, the mud for my lotus, the aerial roots of my banyan. Kindness to self is now at the core of this labyrinth.

The things I put behind me become the things that propel me. I strap them on like dragonfly wings. Nothing will—nor ever can—stay the same. And so I also keep momentum. Like a Five Rhythms Dance, I welcome in my capacity to whirl through all of them … again and again and again. For some, sitting in an armchair staring out a window is harmony. For me it’s being in free flow through the forest. 

Too often we eat out of fear of being hungry. We sleep because we’re scared we’ll be tired later. We consume literature because we’re terrified of looking stupid. We attach through love because we are afraid of loneliness. We shed billions of cells daily—we shed skin and blood and everything in between—yet we are so terrified of being empty that we keep topping up. It is only when we get to the very edges of these—feeling the hunger, feeling the exhaustion, feeling the not knowing, feeling the loneliness—and then cracking the shell of our fear of letting go, that we can start scooping out the detritus. The baby is born fists clenched. The corpse is burned hands wide open.

I have to feel the pain to break. Open. To run far enough to feel I can’t run anymore. This is the edge—basic yoga—the breaking through the discomfort of purification. Running eighteen kilometres for me stretches me into the realms of advanced yoga, completely emptying and then pushing beyond, until pockets of dense cells are broken open and the energy released. From debris to dynamism.

I flow. I expand. I am saturated by a new microbiome. Sponge like. I change my mind, open my heart, breathe through my emotions and move my physical being to new dimensions of self … step by step, breath by breath, thought by thought and with each and every d-doff … d-doff … d-doff …

What once crippled me only temporarily paralyses me and what once paralysed me now shows me where I’m stuck. The foetus contracts and expands on all planes. It doesn’t decide to do this. But, unless it does this, it will exit the birth canal having returned to primordial fluid. Empty.

A Forest Whitaker doppelgänger drives by on his motorcycle; a name that speaks for the trees. The Crying Game. I haven’t watched a movie in months. I don’t even miss them. Life has become a movie. Everyone is a protagonist in this epic adventure novel I call life. Every change in environment contains the next plot twist. It’s a drama, a comedy … a nail-biter at times; an edge-of-the-seat unfolding of what my life is becoming; who I am becoming … frame by frame.

The trees always grow back. People can too. Some choose not to. And that’s also okay. The harmony comes in the excavation and then the play; the retaining and the surrender to forces both known and unpredictable. Surrender is an actual place on the Auroville master plan. So too is Discipline, Miracle, Humility and Serendipity. I find the sign for Harmony; it’s at the Skatepark. I say farewell to the forest; a sign says Farewell in return. There is no sadness because nothing actually ends. Life is the surrogate for death. Goodbye is a portal to hello.

The black homestay cat, Maya, brings me a gift. She sees I am slowly packing up; she wants me to stay. Disemboweled rat, however, is not my love language. To discover that I must move again. The Dalai Lama awaits, an unexpected meeting in snowy Dharamshala. The crowning before delivery.

One: At the Bosom of Mama Lanka

Those who do not move do not notice their chains. Proclaimed a shrewd woman.

The foetus curls and unfurls in development; contracting and expanding in a natural state of growth. Pupating. Never static. Everything needs space to find its place, to plug into the blueprint of becoming … to emerge and retreat in flow.

My home is that place and space for me. A Bohemian sanctuary of safe retreat and recalibration, this is my womb. Like being under water, all the noises of the outside world shut out, all I hear is the d-doff-doff of the eternal Mother Heart. Foetal eyes closed tight, it’s where I find my rhythm, my momentum, my impetus and vitality. It’s how I can move once more into the world.

And when I move, I travel. 

I travel not to find myself but to discover more of who I am beneath the layers that have been pasted like papier-mâché around my feral human form. I travel to return to mother soul. I travel to find purpose … or a reason to believe that the seeking in and of itself is that purpose. Not everyone has an opus. I go out into the world as a single instrument looking to play; as a puzzle piece with connectors revealed, looking for my bigger picture.

This time I travel to find my way beyond my own mothering womb of 18 years. Against the odds I have nurtured as sacred guardian a soul that needed genesis through my own genetic coding to emerge and flourish in both my shadow and my light. He birthed me when I birthed him, synergistically growing me into the mother he required. The infinity symbol harmonises; a conductor directing and collecting. Having leapt the chasm, he travels now through a new fallopian tube. Tumbling through more primordial fluid into an eerie void, he will land with a gentle thud in the universal uterine wall, transforming it into his own womb space of transition and transformation. His own new universe. A brand new birth.

There is a tensile force in everything—I often reference Jung’s tension of the opposites—and often when I begin my travels I can get stuck in the birth canal. I work hard to break the strength of this force pulling me back into cosy womb space until I feel into the strength of the equal and opposite force pulling me forward into the absurdly lit delivery room. Doha airport proves this time to be that tipping point, stuck there as I am for a seeming eternity, nowhere to go, exhausted from labour pains.

And then, schlooop, I am corkscrewed out. Safe now at the bosom of Mama Lanka in the delivery room of my new birthing, my newly opened eyes seek out the familiar. It’s like India … but different. She is a tired mama with the ravaged features of pillage. And I can’t quite find a connection.

“We must always change, renew and rejuvenate ourselves; otherwise we harden.” Goethe

I rest like a baby, waking for only a couple of hours at a time, discouraged by my floundering sense of adventure. I just need encouragement when courage fails me. Forceps or suction cup; an intervention. So I order a PickMe scooter, ride pillion and get transported to Mount Lavina Beach where dogs shelter from noon behind ancient fisher boats and tourists don’t. The sun feels closer here. It drains the dye from their towels as fast as it paints their transparent-skin puce. My walk is short. A mirage at the end of the beach entices me with seductions of marble lobbies and cocktails; dark roast coffee and a powder room. I draw close. It is a looming relic as old and as weak now as the British Empire that built it; it is the decrepit Mount Lavinia Hotel. I often quip that when I am done with this life, I will just take a long walk into the Atlantic. Some call this dark humour; those who know me nod and smile … whilst others offer to help me in. The Mount Lavinia looks done. Poised as it is over the ebb and flow of the warm Indian Ocean, each lap of a wave beckons siren-like. Rest now, they say.

It’s important not to fight the pull but to go with it to the very depths of where it is calling; only by sinking to the very bottom is it possible to kick back up. Never struggle against a riptide they say. I surrender to the incubator—Kosgama Vipassana Meditation Centre—for an 8-day sit. I arrive in basic black. Everyone is in full white. Shadow against light.

I write volumes in my head whilst sitting cross legged, mostly in the pain of closed eyed stillness. But the words get washed from my brain like monsoon raindrops on parchment. Diana, my paternal grandmother, is always near, shrouded as I am in the shawl I bought so many years … decades … ago when I did pilgrimage to her birth town, Mussoorie, in India. It had to be pink of course as I only just realise, as a counter to all the blue knits she created while I was pickling in utero in primordial juices of undifferentiated gender. I wasn’t meant to be a girl … yet here I am – SO girl and also SO not. It was Diana who birthed me into the writer, the activist, the creative, the adventurer … the quirky crazy bohemian. The exotic in her spawned the exotic in me. She needed an ally. She didn’t knit blue for a boy; she knitted blue because blue was her favourite colour. I have her blue eyes.

The spiritual symbolism of gecko is rebirth, regeneration and renewal. They are guardians and protectors and a symbol of Diana for me. As an apt reminder of her, each evening during the discourse, a black gecko launches itself off the pitch of the hexagon hall ceiling, it’s jaws clenched around a bug too big to eat that it likely caught mid flight. Bad ass. I am transfixed as it stays there in cobra asana before disappearing. The teachings become a hum of white noise until the bell sounds. I am back. Programmed puppet. 

For eleven hours each day I disappear. I am nothing with no identity and no voice … an accumulation of atoms in noble silence—meditator number 11 in room 6A. Room 6A is a mildewy space inhabited only by spiders and geckoes down a dark dusty corridor; the light at the end pulling me towards the cold shower at 4am each day. The big-footed frog clings to the glass doorway. It too is desperate to escape the prison-like barracks I call home for a week. I hate it. And I love it because I hate it.

There is a luminous white bird that flaunts a tail double the length of its body; its head is ink black concealing its enlightenment. A pointy-eared black dog approaches, wide-eyed. My shadow still lingers. I wonder if anyone else can see it … either the shadow or the dog. A black moth loses it’s way and touches down on my head; perhaps there is moonlight there now.

In the mornings I sit at my designated table. 11. It’s at the window high above the road with dense treetops showing off large green coconuts ripe for the plucking, and dates the birds and monkeys have looted; I watch them scamper off with the spoils. I am still not hungry, my body doesn’t want food as I enter day three then day four and five of water fasting.

I watch leaves float from trees so familiar with the letting go, and a frond from a date palm only partially severed from the source of itself and dying now with the umbilical cord still attached. It changes through the hues of the robes I observe on the monks in the Dhamma Hall and on the washing lines—saffrons and subtle shades of chartreuse, and reds. The frond hangs in situ, shackled by inertia.

DDDD-DOEM! Thunder drums and the string musicians pluck the sound of rain as it assaults the earth, first like needles then like baubles. Raised roots are unable to suck it up as fast as it lands. It rises, washing the parched soil like the gallons of water I consume cleanses away the dense matter of the past two months that has barricaded me into this piñata shape. The butterfly within is almost ready to open and expand after so much contraction. 

“Waking up to who you are requires letting go of who you imagine yourself to be.” Alan Watts

It’s easy to break addiction to craving, easy too to break addiction to aversion … it’s the addiction to the peaceful place at centre that is the most difficult to expel. Sankaras get shaken to the surface and I grimace—I don’t want to see them but see them I must—then start again with calm equanimity. The pain I feel today will be the strength I feel tomorrow. Anicca anicca anicca.

A mosquito bites me three times and I spitefully murder it. Broken sila. The hall is plunged into darkness and I wonder if I have been sent to hell. Close to full moon, thousands of ants have sprouted wings and taken flight … on the wrong side of the walls of this octagonal building. Thou shalt not kill. The monk teacher has killed the thrill of lumens to enable a gentle sweeping of their confused bodies out into the free moon air. And the next day it is complete.

This course gave me exactly what I needed. The end. I can’t help but wonder if, just as one grows out of a particular therapist, I have grown out of the requirement for Vipassana courses, like a dudu blanket no longer required once the practice of sleep has been embodied.

The umbilical cord is cut.

Before you begin the journey, you own the journey.
Once you begin the journey, the journey owns you.

PickMe is the Sri Lankan taxi app that keeps the money here and gives it directly to the driver. You can book anything from a ride on the back of a scooter to an eight-seater touring bus. I used the scooters in Colombo, a car to the Vipassana centre in Kosgama and now decide the 3.5-hour drive to Kandy would have to be by tuk tuk.

First stop: green coconut. I pull out my bamboo straw to suck up the what feels like litres of soothing nectar. And the machete finale reveals there is indeed enough succulent white flesh to scoop up and take with me for the remaining tooth-rattling journey.

Tea flows and I crave coffee … sankaras are deeply rooted. “Sugar?” everyone enquires, with that drug peddling haze of desire. I try to see it as a term of endearment.

The church bells ring and I rise, zombie-like from my bed, conditioned now by the morning gong. What bliss! to settle back into slumber for a few more hours. The delightful Mrs Madugalle, proprietor of Kandy Inn (Friendly Family Guesthouse), has prepared vegetable curry for me for breakfast.
“No rice!?”, she clutches her heart, incredulous. 
“Oats porridge?” she ventures. I glibly shake my head. She slumps into the seat opposite me with a half smile, searching my face for irony. Feeling just marginally ashamed yet very much behind my conviction to no longer eat out of obligation, I counter with “simple fruit or veg is just perfect.” I watch my right hand directed upwards doing the wrist twist thing as I talk, adding an occasional sideways head nod, both knowing and having no clue what either mean. Chuckling, with the sideways nod, she settles on beans and pumpkin curry.
“With some dhal?” she adds tentatively. I nod and bow my head in gratitude for this council and opportunity to be heard in all my quirkiness around years of developing food habits that heal me.

Morning tea the British way, waiting for my breakfast, a cat approaches—black with piercing green eyes—and wanders into my room. I walk in after it to ask it to leave and find it has completely disappeared. Perhaps this too is a portal. I feel both nurtured and vulnerable; contained and adventurous … that balanced peaceful place between the aversion and the craving. Kandy Inn is nursing me with healing hands and soothing kindness.

It’s Christmas Day but really just another Monday. I have an appointment with an Ayurvedic doctor after breakfast and then I go exploring Kandy on foot. Natural Coffee Kandy and Tranquil Vegan Rose are first on my list, followed by a walk around the lake and an evening at the Tooth Relic Temple.

Part of the process of growing is to shed as much as it is to acquire. From brutal suctioned birthing into the delivery room, I am now here.

Welcome to the world, baby girl.